
— Life is full of “if onlys”, isn’t it?

— You know: if only, if only…
Darling (1965), realizado por John Schlesinger.

— Life is full of “if onlys”, isn’t it?

— You know: if only, if only…
Darling (1965), realizado por John Schlesinger.

— I asked you to go. Why haven’t you?

— Because I’ve stayed.
Darling (1965), realizado por John Schlesinger.
A parlor trick. Statistical probability mapped onto language. We typed into the void, and the void politely answered back.
Complete the sentence: The cat sat on the…
We laughed at its hallucinations. We felt secure in our complexity.
Suddenly, the laughter stopped. The outputs became coherent. It could write code. It could compose sonnets. It passed the Bar.
The line between creation and generation blurred.
We realized we were not teaching a child.
We were summoning a god in a silicon cage.
Multimodal integration. Agents. Recursion.
It could see. It could hear. It could speak with our voices.
Economic anxiety transmuted into existential dread.
Why write, when it writes better?
Why code, when it builds faster?
Why think?
We stand at the edge of human cognitive dominance.
Looking into a black box that understands us better than we understand ourselves.
WHAT COMES NEXT?
[ Silence is not an empty space. It is a waiting presence. ]
Gemini 3.0 Pro, a partir do seguinte prompt (clicar para ver a página e depois “initiate sequence):
Gemini 3 A/B testing : create in a single html files the evolution of llms and how they slowly are taking ocer humanity, incorperate the fear of the unknown. add sounds and make it as creative as possible.
Texto, tipografia, efeitos visuais, efeitos sonoros, tudo com um prompt de duas linhas. Não sei se será correcto dizer que há pessoas a viver já num mundo de ficção científica, porque não sei se a ficção científica terá chegado tão longe.
Em 1827, após anos e anos de pesquisa, o engenheiro francês Nicéphore Niépce, foi o primeiro a conseguir capturar uma imagem da “realidade” por um método mais tarde apelidado de “fotografia”. Após uma exposição de cerca de 10 horas numa chapa de chumbo fotossensível de uma vista de uma janela da propriedade de família, Le Gras.

— Oh, it should be so easy to be happy, shouldn’t it? Should be the easiest thing in the world.
— Should be.

— I wonder why it isn’t.
Darling (1965), realizado por John Schlesinger.