
— I want people to know I’m alive. Don’t you want to know you’re alive?

— I just want to live. I don’t care whether they know I’m alive or not.
The Fugitive Kind (1960), realizado por Sidney Lumet.
— I want people to know I’m alive. Don’t you want to know you’re alive?
— I just want to live. I don’t care whether they know I’m alive or not.
The Fugitive Kind (1960), realizado por Sidney Lumet.
— What do you want from him?
— Same as you. I want to feel alive.
— It’s not going to be easy.
The Barefoot Contessa (1954), realizado por Joseph L. Mankiewicz.
To me, a book is a fairly obvious metaphor for a human body: aside from the fact that it has a spine, it’s also bigger on the inside than it is on the outside, and it can harbor secrets. One can either be put off or invited into it depending on how it’s structured and what’s offered as the point of entry. It can affect how the whole story is felt. I like books. They’re my life.
—Chris Ware
— E pensei, na sorte que tive em ter encontrado e vivido com uma mulher como ela.
— E também pensei que… Que nunca estive à altura… da oportunidade que a vida me tinha dado.
Les Choses qu’On Dit, les Choses qu’On Fait (2020) de Emmanuel Mouret.