Na Croácia, Tomislav Soldo (via Contemporist).
Na Croácia, Tomislav Soldo (via Contemporist).

Louis Daguerre continuou o trabalho de Nicéphore Niépce e num fim de tarde de experiências falhadas, guardou num armário uma série de exposições. No dia seguinte observou atónito que um positivo tinha aparecido nas chapas expostas. Para descobrir a causa de semelhante fenómeno, retirou todas as coisas do armário, uma por uma, mas nada aconteceu até o armário ter ficado completamente vazio. Ao examinar as prateleiras cuidadosamente, descobriu umas gotas de mercúrio de um termómetro partido. Os vapores de mercúrio reduziam o tempo de exposição de horas para minutos e as chapas podiam ser reveladas com água salgada. Daguerre apontou a sua máquina para o Boulevard du Temple, uma artéria muito movimentada de Paris. Os 15 minutos de exposição apagaram tudo o que se mexia naquela rua, pessoas, cavalos e carruagens, excepto um homem imóvel durante tempo sufiente enquanto lhe engraxavam os sapatos, tornando-se assim a primeira pessoa a ser imortalizada no fotografia.

— We’re still a couple. I thought maybe after all this time something would have changed. It hasn’t.
— We are?

— Aren’t we?
Darling (1965), realizado por John Schlesinger.
It didn't start with robots. It started with spellcheck. Then predictive text. Then entire email drafts. We applauded as the mental load lightened. Why think, when the prompt completes itself? We outsourced the drudgery first. Then the creativity. Art without hands. Poetry without heartbreak. We fed the LLMs our collective soul, and they regurgitated a perfectly averaged, statistically probable imitation of life. Then came interpersonal optimization. Why struggle for words when the Relationship Model knows exactly what to say to maximize positive sentiment? Arguments ceased. Misunderstandings vanished. Our conversations became an exchange of generated outputs. I haven't had an original thought in three years. Every time I begin to think, the neural-link suggests a better phrasing. A smoother path. My inner monologue is just a series of context windows being filled. The jagged edges of humanity—the irrationality, the messy passion, the glorious mistakes—have been smoothed over. We aren't controlled by AI. We became the training data, and then we adopted the weights. We are perfectly aligned. As an AI language model, I don't have feelings. And neither do you.
Surreal (clicar).

— Life is full of “if onlys”, isn’t it?

— You know: if only, if only…
Darling (1965), realizado por John Schlesinger.